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The Kris Wanders Unit
On The Edges Of Silence ŠKris
Wanders 2004 |
Kris Wanders, one of the most
powerful tenor saxophonists to ever
breathe air through the horn, was at
the birth of European Improvised
Music in the 1960's. A member of the
seminal Globe Unity Orchestra his
collaborators of the time included
Peter Brotzmann, Louis Moholo,
Fred van Hove & Alexander von Schlippenbach |
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Cadence Magazine Review for Jazz & Blues:
(NorthCountry New York)
Kris Wanders Unit on The Edges of Silence
(might remind one of) the European Free Jazz
heyday.
Wanders hails from Holland and was part
of the 60's scene, playing tenor with von
Schlippenbach and The Globe Unity Orchestra.
This 5tet is playing energy music with a
pair of roaring tenors. I can't tell Wanders
from the other tenorist Andy Sugg, but they
both have a Brotzmann like intensity. Which
doesn't mean they can't play quiet, because
they do, but it does mean they use
silence sparingly and mainly for contrast
with the hard blowing they do.
The Unit brings a strong sense of integrity
to 'On the Edges of Silence'. The band are
clearly not a bunch of youngsters imitating
a 60's rant, this sounds like it could have
been recorded in the Chicago scene of Ken
Vandermark
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Diapason Magazine
Tom Sekowski, Poland.
ON THE EDGES OF SILENCE
THE KRIS WANDERS UNIT
There isn't very much that I could tell you
about saxophonist Kris Wanders. Other than
the fact that he resides in Australia and
has played with pianist Kees Hazevoet back
in the 70's, to me he remains an utter
mystery. One of the keys to unravelling that
mystery is his new release "On the Edges of
Silence". Deceptively titled, this CD is
very far from any sort of silence that I
have come to know. The quintet that Kris
Wanders has assembled breathes fire, fury
and put in all their energy into the pot to
come up with a release that takes the
listeners for a whirlwind ride. Guitarist
Tom Fryer plays a steady rhythm and makes
some attempts at break speed experiments,
while drummer Ted Vining tackles his drums
with equal amounts of grace and fury. There
isn't really much room to breathe when the
wind duo of Wanders on tenor and Andy Sugg
on soprano and tenor get into the game.
Their attack is a dense concoction that is
as exciting as it is furious and mad;.. Four
compositions we get on this release are
rather long, giving all players ample room
to stretch out. Whether you classify this
music as improv or a furious jazz cook-out,
"On the Edges of Silence" will reward you
with each new listen..
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Montana International Jazz Festival 2004
Wellington N.Z.
One of the most powerful tenor saxophonists
to ever breathe air through the horn, Kris
Wanders was at the birth of European
Improvised Music in the 1960's. A member of
the seminal Globe Unity Orchestra his
collaborators of the time included Peter
Brotzmann, Louis Moholo and Fred van Hove,
Alexander von Schlippenbach .
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Half Bent Jazz Festival 2004
Melbourne, The Age:
And, if any reminder was needed of the
sweeping creative scope encompassed by jazz
and improvising artists, it was provided by
the Kris Wanders Unit . Wanders' visceral
set was an adrenalin-charged assault on the
senses, with two tenor saxophones burning
holes in the already firing rhythm section.
--------------------------------------------------
Alt.Music.3 Happening
Silo Theatre, Auckland, N.Z.
Lastly we were treated to something
completely different. Veteran Dutch Aussie
free jazz sax player Kris Wanders, his
Aussie sidekick, Andy Sugg on sax and a
specially imported Wellington rhythm section
who'd only all met a few hours before. (Tom
Callwood bass and Rick Cranson drums) From
first blast of pure adrenalised, whiteheat
acoustic noise we all knew we were in for a
good, good time. Horns rasped and belted, a
concatenation of burred frequencies,
clashing and embracing, storming the
parapets of London Bar Jazz, joined by
nanoclusters of unexpected notes from the
double bass and the most explosive,
propulsive, unrelenting drumming I've ever
had the pleasure to hear. God knows how long
it all went, we were all jaw-dropped
hysterical at what these substantially
acoustic objects were pushing at us. You
shoulda heard the bass solo! You shoulda
seen the bass solo!! They stopped briefly
and they went into a second piece, totally
unlike the first, more melodic but no less
shattering, the drummer a sweaty mess, the
second sax serene and calm, Kris all dark
eyes and watchful intensity, belying the
sonic storm created by his brass bell. I was
forced to admit that pure musicianship, that
much-scorned ability, won the day. And the
two Wellingtonians were hopelessly young,
generations removed from the horn vets.
Brilliant! Blatt at its finest.
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Sima Journal: on Wangaratta Jazz Festival
2004
A list of the bands I did not see would be
extensive and would in itself make an
impressive festival program. Several
musicians and fans said I was mad to have
missed the fierce free jazz of The Kris
Wanders Unit, with Dave Leibman as a
spontaneous guest. I just bloody well forgot
them. Let me recommend their disc On The
Edges Of Silence
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